a tedious, repetitive film to endure (with a particularly gnarly, disturbing, unpleasant scene involving a cat falling victim to a vampiress—the limp, lifeless cat being the real deal, only sedated), ...
Soon retiring the increasingly cosy familiarity of Hammer’s period-set Dracula series, the two Count Yorga films restored the ferocity of the 1958 original, when Christopher Lee’s lofty aristocratic ...
In this contemporary version of the Dracula myth, a sophisticated and clever vampire establishes a coven in Los Angeles and terrorizes the local teenagers. Memorable, distinctive, it’s the best ...
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