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  1. nsidered the greatest in the history of Latin music. Along with rival bandleaders Tito Rodríguez and Tito Puente, Mac ito was part of what came to be called the Big Three. Throughout the 1950s and early …

  2. In these various representations of the mambo, we can read three rhetorical devices that are commonly encountered in the interrelated discourses of evolutionism and primitivism of the mid-nineteenth and …

  3. MAMBO FORWARD, MAMBO BACK; MAMBO RIGHT, MAMBO LEFT 1&2Step Right forward, Rock back onto Left, Step Right beside Left 3&4Step Left back, Rock forward onto Right, Step Left beside …

  4. Mambo (West Side Story) LEONARD BERNSTEIN (arr. Gareth Glyn and Andrew J. Smith) These are the parts for Latin-America n instruments inBernste 's original; t he parts can be p lay ed as writte n,...

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  6. L R L R L R L R ff "Martian Mambo" by Murray Gusseck © 1998 Tapspace. Publications, LLC. Portland, Oregon. www.tapspace.com. A. l rights reserved. Unauthorized use of this file by anyone other than …

  7. PAPA LOVES MAMBO Choreographer: Irv & Betty Easterclay, 13023 Gordon Circle, Hagerstown MD 21742-2702 phone: 301-733-0960/ [email protected] 43 rpm (slow for comfort) Music: For …